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a.a.k Cangel 'till the end
Messages : 31605 Date d'inscription : 29/06/2009 Age : 36 Localisation : On the other side
| Sujet: Les personnages Lun 31 Juil - 19:12 | |
| Venez parler de vos personnages préférés. _________________ “Woman? Is that meant to insult me? I would return the slap, if I took you for a man.” ~ Daenerys Targaryen You're a lot smarter than you look. Of course, you look like a retard ~ Cordelia Chase | |
| | | a.a.k Cangel 'till the end
Messages : 31605 Date d'inscription : 29/06/2009 Age : 36 Localisation : On the other side
| Sujet: Re: Les personnages Dim 6 Aoû - 20:50 | |
| J'ai hésité pour savoir où mettre ce post, étant donné que c'est basé sur les scripts des épisodes et que ça parle pas mal d'Osblaine... Mais au final, c'est centré sur le personnage de Nick, so... DONC, une fan a été à la bibliothèque Screen Writer’s Guild pour lire les scripts de la série et pris tout un tas de notes, qu'elle a partagé sur tumblr: - Citation :
- script notes part 1 (nick)
i stopped by the Screen Writer’s Guild library and read the screenplays for both seasons of The Handmaid’s Tale. i couldn’t be there for long and i was mainly interested in Nick’s perspective, so i only read scenes that he was named in and skimmed the rest. you can’t take photos or transcriptions in the library, but i took a lot of notes so here are some cool facts about Nick and his relationship with June that i learned from the scripts (with spoilers of course)
- Nick is GOOD. so so GOOD. even though he is a bit mysterious and aloof at first, his strong sense of morals come across very clear in the script early on. he’s written as a sympathetic character and an ally from the very beginning. we are meant to like him in spite of his status, as June does.
- anyone who thinks June is too traumatized to want physical intimacy is so wrong. June has a crush on Nick since episode 1, even though she knows in her gut he is probably an Eye. in fact the first few episodes almost read like a romantic drama because June thinks about him so much.
- Nick and June’s first kiss was not 1x05, it was actually 1x03. when Nick brings her ice for her bruises and tells her they should’ve driven away together, June becomes overwhelmed by the attraction and kisses him first. in fact, they fully make out and it’s described as “hands everywhere” until they abruptly stop. not sure why this was cut, but it explains why Nick is so breathless when he leaves her room
- did i mention June thinks about Nick a lot? because she thinks about him a LOT lmao the thirst was so real
- the scene where Serena Joy orchestrates the Nick and June thing - the script points out that June was not mad about having to sleep with Nick, she was mad because she liked Nick and Serena was taking that away from her by forcing Gilead weirdness on them. also, during the actual act, it’s as awkward to read as it is to watch, but June is kind of excited about it, Nick is... horrified, and Serena Joy ruins it for everyone by being as creepy as possible. (i reeeally wish they made this scene true to the book by keeping Serena at a distance)
- Nick telling June that he’s an Eye was huge. this was a real milestone, he took a massive risk by being truthful with her and they both recognized it. also his “now go to bed” was meant as a joke, which they both understood.
- their (real) love scene actually had dialogue! it’s a lot different from the final cut. June jumps Nick and starts kissing him pretty much as soon as she walks through his door. he also does try to undress her but fumbles with her handmaid dress. June says, “Let me. It’s complicated.” and does it herself. Nick says, “Mine’s simple.” and just pulls off his shirt. it was adorably casual tbh and they read like a couple who had been courting for awhile. (alsoooo the script straight up says she guides his hand to where she wants it and Nick can take a hint, so like, there’s that )
- during the meeting the next day, when they secretly touch hands, Nick is described as “unable to breathe effectively” and tells her all the guards leave at 11:30 so she can visit him lmaooo this boy is in shambles
- from this point on June thinks about Nick like, constantly. during scrabble she was literally starting to spell out his name on the board.
- when June is going through the things in Nick’s room, he isn’t bothered at all. he understands that she’s curious about him, but their moments together are so limited and precious so he just wants to snuggle. sigh.
- Nick flashbacks!!!! Nick is 100% baited into joining SoJ. that whole conversation in the cafe was about Pryce trying to work out Nick’s achilles heel and seizing on it, which was his brother. Nick had never even heard of SoJ, but he is “intrigued and desperate for a lifeline”
- the flashback in the car when the commanders discuss the handmaids - this is the scene i was looking forward to most since Max is all body language in it, but i was disappointed. it’s 99% dialogue. although it did explain the “it’s better not to make attachments” line - Nick was actually referring to his brother when he said this, whom he “had to leave behind somewhere along the way”
- in June’s voiceovers she mentions more than once that she believes Luke would understand why she wants to be with Nick
- at Jezebels - Nick is described as seething the whole time, but none of his lingering touches and intense stares are in the script. those were all Max and Lizzie.
- apparently Nick and Beth’s deal is that they trade goods for intelligence. it doesn’t specify if the intelligence is for the Eyes or Mayday, though.
- in the flashback when Nick finds the first Offred hanging, he goes as far as to give her mouth-to-mouth CPR even though it was clearly too late. he tried so hard tho
- also, this death totally broke him. when they take Offred 1’s body away is the moment Nick becomes “awake for the first time” and “sees Gilead for what it really is” - until that point he was just numb from the loss of his family. it’s also the reason he joined the Eyes - when Pryce offers his condolences for the dead handmaid, Nick’s inner thoughts are like “she’s the reason i’m here”
- there’s a cut scene from the Jezebels episode where Nick almost starts a fistfight with the other drivers because he’s just sf mad about Fred bringing June there, and everyone can pick up on the fact that something is really bugging him. i’m kinda bummed we don’t get to see this tbh, and it’s not the only scene showing Nick interacting with other Guardians to be removed from the final cut.
- when Nick breaks it off with June because it’s too dangerous, his reason is genuine but he’s more cold and distant in the script. he doesn’t touch her at all when he's telling her about himself, that was entirely Max.
- we already know this from interviews but when June tells Nick she’s pregnant they were both just overflowing with love for each other in that scene. she is shook to her core by his reaction to the news and it makes her realize that what they share is special and worth everything.
i have more notes from the season 2 script but i’ll make another post about it later because this one’s long enough source _________________ “Woman? Is that meant to insult me? I would return the slap, if I took you for a man.” ~ Daenerys Targaryen You're a lot smarter than you look. Of course, you look like a retard ~ Cordelia Chase | |
| | | a.a.k Cangel 'till the end
Messages : 31605 Date d'inscription : 29/06/2009 Age : 36 Localisation : On the other side
| Sujet: Re: Les personnages Dim 6 Aoû - 21:10 | |
| - Citation :
script notes part 2 (nick)
as promised here are my notes on the season 2 scripts i read, still with the heavy Nick bias. if you missed it, you can see my season 1 post here!
btw i did not write up the scenes that are already in the “script to screen” clips - like the ambulance scene, etc - since you can already see those for yourself.
- uhh the writers get spicy with the love scenes in this season. felt like an erotic novel at times. i actually read the phrase “stroked his soft penis until it was hard” with my own eyes not once but twice... those table reads must’ve been a real treat
- June being rough with Nick wasn’t in the script, that was Lizzie. in the script Nick just kisses June and backs her up against a wall before they bone all day.
- June told Nick all about the letters and how she got them during her time at the Globe, so he knows what they are when he catches her burning them later. (this wasn’t a cut scene, it’s just mentioned during said burning) also they apparently got really used to being a normal couple during that time, and going back to sneaking around is one of the hardest things June has to adjust to when she returns to the Waterfords.
- June seeing Nick in the kitchen for the first time after she was caught was “like watching her life preserver float away”
- when Aunt Lydia shows up at the Waterford house and makes comments about the baby’s father while Nick tries super hard to look casual - this is when Fred realizes the baby is actually his
- Nick is worried sick about June “becoming Offred” again. when he asks Serena Joy to get June a different kind of doctor, he was acting entirely on his anxiety. this is what sets off Serena Joy’s jealousy aaaand...
- Nick’s wedding was entirely Serena Joy’s idea. she just manipulates Fred into setting it in motion.
- the wedding really did break Nick. him saying he’ll have a child of his own someday was not a dig at Fred, it was him “showing his belly to the alpha” and disclaiming their child
- June still thinks about Nick a lot. the scene where she walks into the kitchen and finds Fred grumpily eating a snack, she actually went in there hoping it was Nick.
- Nick told June that he loves her because it’s why he can’t consummate his marriage (besides, of course, being hella grossed out by it) so it wasn’t just a random declaration with bad timing, it was basically “i can’t do this BECAUSE i love you”
- during the consummation, good old “hole in the sheet” was not present in the script. also Nick thinks about June and touches himself before the actual act (see my first note ) then just pretty much closes his eyes and does it. he feels sick the whole time. i was trying not to scream in the library while reading this
- there was nothing fishy about the weird scene with Pryce where Nick requests a transfer. it’s mostly dialogue again. but Nick was described as “shattered” (note that this is a word usually only used to describe June) by the consummation so he was apparently just panicking. this season put heavy emphasis on the breaking of Nick.
- also the red center explosion was written from Nick’s perspective. he’s standing with the other drivers and about to light a cigarette when boom.
- the loss of Pryce affected Nick because he saw him as “an ally and protector” (i feel like protector is an interesting choice of words)
- June and Nick’s kiss at the hospital was mostly dialogue. all the touching and Nick wiping away her tears was Max and Lizzie.
- June and Nick holding hands in 2x08 was also unscripted
- Nick returns to his apartment stressing hard about June going to Fred’s office (where Serena Joy gets beaten) when Eden jumps him about the curtains
- when Eden finds the letters and Nick gets pissed - “Nick assumes the role of patriarch with frightening ease” but he later gets mad at himself for it
- the script does not clarify whether or not Eden read the letters so it must be irrelevant. this scene only brings the focus on Nick feeling overwhelmed and trapped in his own house.
- when Nick is about to leave for Canada, it says he stays cold with Eden because he has not forgiven himself for scolding her
- with all the Eden scenes there is a lot of “Nick doesn’t know what to say; chooses silence” going on
- when Nick meets Luke - the only thing different from the “script to screen” clip is that when Nick tells Luke he’s just a driver, he pauses and adds that he lives above the garage with his wife. this is why Luke isn’t suspicious of his relationship with June.
- Nick and June’s reunion after Canada was apparently the first time they had touched in months
- June was unable to process the news about Luke, and Nick was “hit by the strength of this woman” gosh darniT
- when he says “i love you” for the second time, June doesn’t respond because “it’s all too complicated to put into words”
- Eden’s breakdown after kissing Isaac is described as a “teenage temper tantrum” and Nick was really sad for her but also 100% over his life at the moment
- when Nick is sitting alone flicking his lighter, he’s thinking about how he could’ve become a father that day
- Nick tearing up during the June/Hannah reunion was not in the script
- Nick holds and comforts June as Hannah is leaving with the Martha, before Hannah runs back to her. i was surprised by this as there were still Guardians present. he also runs to her and drops to his knees in the snow to hold her again after Hannah is gone.
- there is no mention of Nick in the script during the birth of their child. June is really worried for him at the beginning of this episode, but that’s it.
- in the church when June starts leaking milk at the sound of Holly crying, Nick is “amazed and moved” by it while Fred is “repelled” because he’s trash
- Holly is referred to only as Nichole from this point on and i really Hate it
- in the Hawaii scene, Nick’s line is actually “the baby is so beautiful” but Max says “our baby” in the final cut bless you Max
- Nick walked away from June’s comfort after Eden’s execution because he knew if he opened up to her he would break down
- there was a cut scene where he goes back to his empty apartment and really does break down
- when Rita and June are going through Eden’s belongings, there was a part where Nick is bringing the stuff in and gets sad looking at it. June holds his hand and finally gets to comfort him, right in front of Rita who’s just like “we been knew”
- the “your girlfriend is a badass” scene was mostly dialogue. again, all the touching was Max and Lizzie.
- the scene when Nick holds Holly is described in the script as “a real family portrait” to juxtapose Fred and Serena Joy’s family portrait
- June saying “i love you” to Nick was completely genuine, nothing in the script implies otherwise. Nick is described as speechless. this scene is written like a sort of happy ending for Nick and June in season 2, and mirrors the pregnancy scene in season 1.
- Nick was not aware that June may escape in the last episode, but when he looked up at the house he had a gut feeling that she was going to do it.
some other random things i took note of:
- when June is going through newspaper clippings at the Globe, there’s so much info about Gilead being dumped here. she listens to recordings on a tape and the script describes everything she is finding in detail. i was running out of time at this point so i’ll need to go back and take notes on this scene specifically because it’s super interesting.
- during the false labor scene when Fred is entertaining commanders in his office, there is heavy emphasis on Commander Horace having a baby with his wife and the fact that he “hopes to make all commanders like Fred obsolete” so i think this may be revisited in season 3
- Serena Joy was absolutely VILE during the 2x10 rape scene. even Fred feels guilt immediately afterwards and can recognize that June is a person. but Serena Joy was only upset that it was more difficult than she expected. June’s crying makes Serena realize she “might actually be a terrible person” which makes her feel weak, and the weakness makes her angry. the script goes on to say that she hates June for fighting back and making it harder than it needed to be. she even holds June down by her neck at some point. remind me again why anyone is stanning for a Serena Joy redemption??
- also despite Serena Joy being complete rotten garbage, after June tells Emily “call her Nichole” she actually goes on to say “tell her about Serena, that she loved her” (instead of “tell her i love her”) because the writers apparently had amnesia while making season 2
after reading all these scripts my conclusion is that Nick/June appears to be endgame. it’s definitely NOT a lustful tryst, or a convenient affair. their whole story reads like an epic romance - season 1 especially - and Max and Lizzie added SO much depth and chemistry to their interactions when they didn’t have to. i can tell that the writers put real effort into shaping Nick into the ideal love interest for someone in June’s position, while Luke is more of an afterthought. they wouldn’t do all that if June was meant to give up Nick and go back to Luke in the end.
i think in the final cut of the show they tried to scale back the romantic aspects and put more focus on survival, but it’s still real. and yeah, the main reason i did this is because people are prone to interpreting Nick’s character wrong, even though Max is great at getting these nuances across. he shouldn’t be dismissed as a non-victim just because he happens to be a Guardian.
also, since these posts are picking up steam, if anyone has questions about something specific that i may not have mentioned, i’ll answer while the scripts are still fresh in my mind! i’ll be returning to the library at some point as well, so if there’s something you want me to look up, i will take note.
source _________________ “Woman? Is that meant to insult me? I would return the slap, if I took you for a man.” ~ Daenerys Targaryen You're a lot smarter than you look. Of course, you look like a retard ~ Cordelia Chase | |
| | | a.a.k Cangel 'till the end
Messages : 31605 Date d'inscription : 29/06/2009 Age : 36 Localisation : On the other side
| Sujet: Re: Les personnages Dim 6 Aoû - 21:18 | |
| - Citation :
script notes part 3
in my continued adventures reading scripts at the Writer’s Guild Library, i have some more Handmaid’s Tale notes to share! i am doing more thorough reading now instead of skimming, so i read less scenes overall but absorb more details.
here are some of my findings, more or less chosen at random although i have been focusing on Luke and Moira scenes lately.
(you can find all my previous posts about the scripts here)
- regarding that Boston Globe newspaper cuttings scene in 2x03 - basically June is just looking for any info on children of Gilead in hopes that it could give her a hint to where Hannah is. the recording she’s listening to is an interview between a reporter named Christy Cunningham and a SOJ member named Lars. Lars discusses how he got into SOJ for the kids in his community who came from bad homes because SOJ had after school programs, free meals, sports leagues and such. then June cuts out the article Christy wrote after said interview, which is dated 2014 and shows a picture of Lars with a kids’ baseball team. the article is titled “Old-Fashioned Group Raises New Hope” then the script described the newspaper’s front page featuring all the news that seemed important at the time, such as Ebola outbreaks and the missing Malaysia Airlines flight. good information for dating the universe timeline.
- in the 1x03 flashback where we see Luke holding June in bed after she lost her bank account and job, in the script he goes on to initiate sex with her here. she is described as wanting to cry, but lets him fuck her instead. then there is a cut post-sex scene where she is too stressed to sleep and Luke apologizes because he assumes she is upset about his patronizing statements earlier.
- as Luke is going through June’s photos in her phone during the 1x05 flashback, he finds a pic of her in pajamas reading Hunger Games
- in the 1x06 Waterford flashback at the theater, when Fred gets the text about the impending attack he becomes hesitant about the violence to come. Serena manipulates him into getting back on board with the idea. she recites a news story she heard about a man who had 15 year-olds chained up in his house and reminds Fred that they are saving everyone from stories like that.
- also in 1x06 there is a cut scene after June returns from cleaning blood off the wall. she’s in the Waterford kitchen covered in bloodstains when Nick and Fred enter, discussing the trade meeting with Mexico that night. June thinks about how sexy and confident Nick looks when he’s working, while she feels self-conscious because she looks like “Carrie on prom night.” then Nick turns his attention to June and flirts with her a bit, right in front of Fred who is completely oblivious.
- in 1x09 when Rita and Serena Joy are drinking wine in the kitchen, it is implied that Rita’s son was on the US side of the war because Serena can feel “the sting of her stare” when she talks about it
- there is a cut scene in 2x03 after Moira processes the Guardian refugee, where “cute coworker Dana” approaches and offers her a muffin. Dana pushes her luck and invites Moira out to the movies with friends, but Moira makes up an excuse not to go. later in the episode she goes to the bar instead, so it shows us that Moira is having trouble connecting with people.
- a lot of Annie’s dialogue was cut, but in it it’s heavily implied that Annie was struggling to conceive and this was extremely difficult on hers and Luke’s marriage.
- in 2x04 during the flashback where Luke is screaming into Annie’s voicemail, June has serious doubts about their relationship in this whole scene. when he says he loves her more than he ever loved Annie, she wants to believe him but she can’t. basically she wonders to herself how likely it is they will have a future together when their relationship has such a vicious origin story.
- June also struggles with a LOT of guilt over Annie. her feelings are described like she stole Annie’s place, especially in the coffee house scene. June doesn’t express any ill-will toward her either, in fact she feels the need to stick up for Annie when Luke is yelling into her voicemail.
- throughout season 2 June has very little thoughts on Eden, so many of her stares are Lizzie and the directing. when Eden comes to June for advice in 2x06, this is when she finally acknowledges how young, pious and dangerous Eden is.
- later in this episode when Eden enters the kitchen the day after the consummation, June and Eden share a look about what happened. June is conflicted but understands the deed was done. then Serena Joy notices that June and Eden have some kind of connection here, and in her jealousy she initiates the knitting needle nonsense to pit them against each other.
- there’s another cut flashback (but i can’t remember the episode) where June is helping Moira move in with Odette and they are talking about Luke. at this point Luke is still married and Moira expresses lots of disapproval of their relationship throughout the whole scene.
i’m still happy to answer questions even if i don’t have an answer right away, i will most likely look it up over my next visit to the library. source _________________ “Woman? Is that meant to insult me? I would return the slap, if I took you for a man.” ~ Daenerys Targaryen You're a lot smarter than you look. Of course, you look like a retard ~ Cordelia Chase | |
| | | a.a.k Cangel 'till the end
Messages : 31605 Date d'inscription : 29/06/2009 Age : 36 Localisation : On the other side
| Sujet: Re: Les personnages Dim 6 Aoû - 21:45 | |
| - Citation :
season 3 script summaries (nick)
first of all - special thanks to reddit user cablab123 and @dystopiandramaqueen for making phonecalls to the writer’s guild that resulted in them getting the season 3 scripts from the studios this soon we have these because of you!
just to clarify, these notes are about nick scenes only. am i biased? yes. will i go back and read the rest? i don’t know. i didn’t like this season, so i don’t have much energy for it. but i did read the other cut scenes which i will summarize in another post later. this one is about nick. reminder that anything i put in quotes is direct phrasing from the scripts. however there are copyright laws in place, which is why i can't provide copies or photos. edited to add: because i’ve seen some doubts about my authenticity, click here for proof.
i do accept questions, but i will only respond if i have an answer. i may come back and respond eventually if i find the answer on a future library trip.
possible spoiler warning: there are 2 cut scenes in here which may or may not be considered spoilery if they use them in season 4. the cut scene from 3x12 in particular could be a big indicator of what’s to come next season.
finally - please do not share this post without my permission, and thank you in advance for respecting my wishes.
3x01
- nick has fred trapped in the room. after serena says, “we should give her more time to get away,” and leaves, fred turns to nick and accuses him of having so little respect for their family that he would involve them in his crimes. nick straight up tells fred, “I did it for her. For June.” it says fred knew this but hearing it shakes him up. this is the catalyst for their open disdain for each other from now on.
- there was more to nick & june’s argument that we didn’t see, which showed june regretting staying in gilead. after she says “don’t you think i know that?” she breaks down and admits: “I fucked up. I fucked it all up. I should’ve gone. I’m a fucking idiot. But I couldn’t leave her here, I couldn’t leave her behind.” nick feels deep sympathy for her after this confession, and they let go of their anger and share an embrace. i’m real mad this got cut, it showed a lot of june’s vulnerable side.
- after the house fire, nick is leaving and: “June searches for something to say. Goodbye? I’m sorry?” but she can’t because they’re in public. originally he said “Take care” and she settled on “Bless you.” (personally, i think i like the onscreen version better.)
3x03
- there was lots of nick “finding this exchange excruciating” during the commander meeting at the lawrence house. he just wanted to help june the whole time joseph is tormenting her. they are “desperate to communicate” throughout this scene. also, joseph was carefully observing nick, june and fred the whole time. they never explain why, but june seems to think he’s just amused by it all.
- when nick came back to visit that night, he and beth share a sweet moment at the back door. nick asks her if she’s okay. beth tells him she’s scared shitless. he comforts her with a hug, during which she jokes, “You look ridiculous in that get-up,” and nick says, “I know.” (i love beth and nick’s friendship... i wish they didn’t throw away the opportunity to show it this season.)
- when nick goes upstairs, his and june’s conversation was written to be a lot less cold than it is in the final cut. june immediately goes to nick for comfort when he comes to her room. “She needs him desperately. She needs his help.” but the news of his deployment shakes her. they are both described as infuriated by their situation, and “drowning in their own futility.” when june opens the door and invites nick back in, they share a kiss and “wrap themselves around each other. For the last time.” then june closes* and locks the door (to juxtapose her old bedroom with the door that never locked.) *still disappointed by that closed door? see here!
3x05
- in luke’s tape, june is scripted to say, “You met him. He helped me to survive. I was in love with him." the description of luke’s emotions here say he feels stunned as well as “relief that Nichole isn’t the product of rape... and yet, June found love. She moved on.”
3x06
- when nick and june reunite in DC... nick was spicy during that prayer scene june could feel him trying not to look at her. and this line killed me: “His fingers trail, just barely, over June’s hip. Across her bare fingers. On June, feeling his hand.”
- nick and june’s kiss in the snow did not have much description. just lots of natural chemistry on max and lizzie’s part. also, they were supposed to share one more kiss after nick agreed to meet with the swiss. speaking of...
- NICK. MET. WITH. THE. SWISS. people can stop claiming he ditched his daughter now. the script makes it clear. nick walks into the room with mattias and meets lena and sofia before the scene cuts. we don’t get to see what they talk about, but he tried to do the right thing for holly per june’s wishes, against his better judgement.
- no further explanation for why the swiss don’t want to work with nick. when lena tells june she can’t work with nick, all it says is that june’s “association with Nick has left her somehow tainted.”
- june feels “betrayed” by learning that nick was a soldier in the crusade, and continues to throughout the season. though the script never explains why she feels so betrayed by something that she has done herself (killing innocent people under orders) or why she is so quick to believe serena joy when she is familiar with her manipulation. her thoughts in that scene are described as she is “absorbing the fact that Nick was a terrorist.” take that as you will. however, the following scenes clarify exactly what he did...
- THE TRAIN SCENE: there’s a very important line describing how nick really feels about being a commander: “The troops salute him. Nick returns the salute, hating all the choices that led him here.”
- immediately following that line is a cut NICK FLASHBACK! here’s the summary: nick was in DC during the coup. he was on guard duty. yep, big bad terrorist war criminal nick blaine was a glorified security guard. in this scene, nick and a young soldier named trevor are guarding an empty basement stairwell in the capitol building during the coup. trevor is complaining that they are “mall cops” while “everyone gets to actually do something,” meanwhile nick is described as “looking sick.” then there is an explosion in the stairwell, followed by a brief shootout where trevor is killed. nick shoots back “out of instinct” and it’s revealed he’s killed a capitol security guard and a bureaucrat.
- immediately after the flashback is the cut shot of nick (above) looking sadly out the window, remembering those choices that led him here.
- it’s worth noting that the flashback scene contrasts starkly with serena’s words just prior, which were scripted as: “He served Gilead. He believed in something greater than himself. He was a soldier in the crusade. We wouldn’t be here without him.” so it seems pretty clear they are setting this up to be misjudgment on june’s part.
- the shot of nick looking sadly out the window was supposed to be followed by a parallel shot of june looking sadly out the window of the winslow house, reflecting on her meeting with nick the night before.
3x10
- just wanted to note here that despite june feeling “betrayed” by nick since 3x06, when fred suggests transferring her to DC she actually considers it could be a good idea because she would be “closer to Nichole. And maybe even Nick.” so he is not absent from her thoughts.
3x12 warning: the following scene may be spoilery for season 4??
thank god, we were right about a cut scene in this episode. there was exactly one (1) nick in chicago scene, and it took place immediately after luke punches fred. and just like max said, it confirms nick has been one step ahead all along.
in this scene, nick is observing the war in chicago and talking with his “lead commander” (pictured in the promo still above.) the lead commander tells him that they are being transferred to lake huron to put pressure on toronto in lieu of waterford’s capture and winslow going missing.
nick - hiding his shock at this news - carefully presses for more info. the lead commander doesn’t have anymore to say about waterford, but he laments the fact that this means he’s not going to get his weekend leave and that his daughter will be disappointed. his daughter’s name? agnes. that’s right, the big reveal of this scene is that nick is now working directly under commander mackenzie, and it is no coincidence. the scene ends on nick, “watching [mackenzie] walk away, wheels already turning.”
guys... this means NICK IS GOING AFTER HANNAH!
this must be what max was referring to when he said that everyone is in an interesting position for season 4 in this interview. so much for him being irrelevant to june’s story just because he’s a dude, i guess.
there was also a whole bombing action sequence in this scene including fighter jets, it sounded very extra and VFX-intensive. nick and commander mackenzie are watching it all go down from a distance while they talk.
i can’t say for sure why these scenes were cut, but the producers served up 3 different sets of excuses, some of which don’t line up with what was written (e.g. “strictly june’s perspective” ...sure ) so it’s safe to say that whatever led to them cutting these scenes out, we will probably never know for sure. but i do know they were filmed and the decision was made post-production, we have evidence of that.
additional observations:
- there is still no real explanation for why or how nick got promoted to commander, and i don’t think they ever will. it appears to me that it was just another contrived plot point so they have a reason to send a low-status driver into war.
- while i am glad they softened the extent of nick’s involvement in the coup, it also makes it harder to understand why he said he was “due” a promotion to commander when his contributions to gilead are so relatively insignificant. again, we may never know.
- there were several cut voiceovers of june praying to god throughout the season, and despite calling holly mainly by “nichole” in dialogue, she only referred to her as holly in her prayers. so her real name is still holly. i will die on this hill.
- commander mackenzie mentions to nick that the move has been hard on hannah but the script does not clarify where they have moved to. hannah and mrs. mackenzie are presumably far from the great lakes region because nick’s response is, “May God bring you home to her soon.”
- can we talk about how nick has an active plan for hannah? and how he never gave up on his promise from 2x03? and that while june has lost all hope of seeing her daughter again, she has no idea how close nick is?
and that this is sounding a lot like one of my fics? hire me already bruce. these are things i think about A Lot
- lake huron means nick is going back home to MICHIGAN so rebel commander blaine is back on the menu boys
- nick in the script is - as always - a bit more rough and forward than what we see onscreen. max has a talent for softening nick’s interactions with june and showing respect with his body language, while maintaining the intensity between them. i also cannot praise enough how much he makes out of little to no script direction and minimal dialogue.
- that sweet, sweet vindication of confirming yet again that nick is worth a lot more than viewers (and june) give him credit for. i only hope his value in this story isn’t realized too late.
source _________________ “Woman? Is that meant to insult me? I would return the slap, if I took you for a man.” ~ Daenerys Targaryen You're a lot smarter than you look. Of course, you look like a retard ~ Cordelia Chase | |
| | | a.a.k Cangel 'till the end
Messages : 31605 Date d'inscription : 29/06/2009 Age : 36 Localisation : On the other side
| Sujet: Re: Les personnages Dim 6 Aoû - 22:24 | |
| - Citation :
season 4 script summaries
good news! there are no deleted Nick/Osblaine scenes in season 4. i’ll just be summarizing the subtext that is written into the script and comparing differences to the onscreen version.
before i begin:
• everything described here is from the official scripts that are archived at the Writers Guild in Los Angeles. • the scripts i read are final drafts. there is no “writing in the margins.” everything described here is from dialogue and script direction that was used on set during filming. (you can see an example of what these scripts look like in the 4x07/4x10 links below.) • the library has strict no copies/photos rules in place which is why i can only summarize what i read. • anything in italics is a direct quote for the sake of clarity. • feel free to ask questions and i’ll answer to the best of my ability. my private notes are pretty detailed, but if i need to do more research i may save the answer for a future library visit. • please do not share this post without my permission. thank you in advance for respecting my wishes.
4x01 In prison, Nick is very aware of the Guardian in the room and can’t speak openly because of it. He speaks in code to warn Lawrence that he’s going to be executed and thank him for helping June. This establishes a pattern of Commander Blaine using Gilead code to communicate, as seen in several future scenes.
4x02 When June sees Nick at the farm, she knows immediately that he is there to arrest her.
It’s implied that Nick asking where the Handmaids are is code to June so she knows they are okay. (This is confirmed in the next episode when he does it again.)
June spends a good minute considering shooting the Eyes in a blaze of glory and making this her last stand. Nick “jerks her attention away from the decision” by saying “don’t” and telling her that he’s trying to keep her alive.
The scene ends with June saying “fuck you” before the Eyes swarm her, but this line wasn’t in the final cut.
4x03 In the van, June is “stung by [Nick’s] betrayal.”
Nick can’t speak freely to June because he assumes there are eavesdroppers. He uses code to “pass along news” to her that Mrs. Keyes is safe and the Handmaids are still free. June finds this news a relief.
Nick asks where the Handmaids are and when June doesn’t give him an answer, he actually warns her in a low voice (uncoded) that she isn’t strong enough to take what the Eyes will dish out if she doesn’t turn them in. This wasn’t in the show.
When Nick quotes the bible to her - “June hears this for what it is -- an honest wish for the woman he loves.” But Lydia “breaks the connection.”
Moving onto the Nick and Lawrence scene... I want to be clear, Nick does not expect Hannah to be used against June. This is not present in the script at all. All he asks of Lawrence is to get June to talk before the Eyes kill her, with no expectation of how it’s done. He is only thinking of keeping her alive.
Also, throughout the Nick/Lawrence scene, Lawrence thinks about Eleanor a lot. “Some women just don’t want to be saved” was a direct reference to her. Lawrence compares Nick’s love for June to his love for Eleanor, and is struck by “the simplicity of [Nick’s] wish [to keep June alive.]” But he really believes Nick needs to just let her go, like he had to let go of Eleanor. This is why he refuses to help until Nick threatens him.
Speaking of, Nick’s veiled threats are what makes Lawrence decide to take him a little more seriously.
The scene where Hannah doesn’t recognize June was written to be much shorter than what we saw onscreen. Hannah was actually supposed to be muzzled, and just the sight of her crying through the muzzle is enough to shake June into giving up the Handmaids.
The meeting on the bridge was scripted a little differently than what we see onscreen. Lizzie's directing softened the scene quite a bit.
June is muzzled, and being transferred to the Birthmobile on foot when Nick joins her side, whispering apologies as he walks with her. She ignores him until he says Hannah is safe at home. June stops and starts breaking down crying. Nick reaches out and touches her shoulder, “letting his finger trace the skin of her neck.” June reacts by embracing him. The guards try to pull them apart, but Nick just gives them a look. “He’s a Commander,” so the guards stop and let her go. Nick removes her muzzle and she cries about Hannah being scared of her. There’s a line here that I love, I have to quote in full—
“NICK: She loves you.
June tries to believe this.
NICK: I love you.
This, June believes.”
June then realizes she may never see Nick again and kisses him goodbye. Very little script direction here, it’s simply described as “just one long moment.” Then the guards lead her away.
Also, it says in the script that Alma and Brianna are hit by the train because one of the Handmaids was shot and they both reached back to help her as she was falling, causing them to miss the opening before the train hit. Janine was just dissociating and humming songs to herself the whole time, not as upset as we see her onscreen.
4x04 I just want to note here that the script confirms Janine’s current age is 23. After she changes out of her Handmaid uniform, “she looks like the 23-year-old kid she is.”
4x05 June spends this whole episode irritated at Janine and Stephen’s relationship because she feels like she failed to protect Janine, which is part of a recurring theme of June feeling like a failure throughout this season. Janine has to remind June by the end of the episode that she doesn’t need saving, and June is only trying to do so to make herself feel better.
There is no scripted response to Lawrence’s “would your heart glow” line. So Nick’s laugh was entirely unscripted lol.
The script specifically refers to Lorraine and Reese (the Marthas) as Nick’s “black market contacts.” As we know from s1, Nick has always had a connection to Gilead’s black market.
When Lorraine goes off on Nick about June, she and Reese expect a scolding from him because it’s “a suicidal way for a Martha to talk to a member of the Eyes.” But Nick just apologizes on June’s behalf, surprising them both.
In the show Nick says “I care about her” but in the script it was: “She’s all I care about. In the world.”
The Marthas are “surprised by his vulnerability, but Lorraine stays icy.” Her scripted response was actually supposed to be: “Swipe left. You’re better off without her.”
Reese hangs back and offers help to Nick because, as she says to him, “I loved someone in Gilead once, too.”
In regards to the council meeting - if I’m understanding correctly (because the scripts are kind of vague and more focused on the soapy aspects of the political standoff in this episode) - Lawrence’s goal is to get sanctions lifted, but when the council turns him down he shifts his plan to get on the council himself so he can pursue his reformation goals unopposed. This is why he agreed to bombing the ceasefire that he proposed in the first place.
Not much is said about Nick’s reaction to ordering the bombing, besides the fact that it catches him off guard and he “looks shaken by his orders to bomb June.“
4x06 When Moira confronts June trying to abandon ship and tells her that Luke never gave up on her after all those years, there was a cut part of that line where Moira said: “[Luke’s] a good guy. And he handled it pretty well when you had a baby with another man.“
4x07 Click here to read the full script that is available to the public.
4x09 When Luke suggested they ask Nick for help with Hannah, there’s not too much script direction, but there are a few interesting lines. When she says Nick would do anything for her and Holly, Luke finds that “both hurtful and hopeful.”
June is floored that Luke “is encouraging a meeting with her former lover? It’s incredibly strange. And also enticing.” It also says she had “put her relationship with Nick behind her. Locked it away. Now Luke has opened the door again.”
When she agrees to meet with Nick, Luke is described as “pleased, yet uneasy.”
As June heads off to see Nick, she and Luke are both “on edge.”
There was actually a cut moment between them and Mark before she leaves. After Mark tells her his officers will be nearby, he gives her a panic button FOB to call them if she needs help. This makes Luke freak out a little. He tells June she’s not going unless it’s safe. She doesn’t like that and insists she can take care of herself. Mark explains that while he has used this location for meetings before, he “can’t vouch for the party involved” because - in Mark’s words - “[Nick] does have a history of violence and allegiance to Gilead.” But June shuts both men down with: “He’d never hurt me or Nichole. I vouch for him. Completely.”
Once June is in the car, she exhales. “There’s no facade to put on for Luke, now that she’s alone.” She looks back at Holly and says, “Okay, we’re off. Excited to see your Dad? Yeah?“ then she smiles at Holly and says “me too.”
When she finally sees Nick, “their eyes lock. They’re both tentative. Unsure. It’s amazing to be together again, yet it doesn’t feel real.”
Nick is described as “almost overcome, so happy and relieved to see June alive and healthy.”
When they move inside, Nick tries to help June with the stroller and he’s described as “awkward” lol.
As we see in the episode, June is moved by Nick’s folder of Hannah intel. After this, “her official mission has been accomplished. She can leave. She doesn’t want to.”
The kiss has very little direction, as usual it’s all Max and Lizzie’s chemistry that makes it so good. “They can’t resist. They kiss, with longing and passion.” Then they move apart “both knowing they shouldn’t go any further.”
Nick was supposed to hold Holly “with love and wonder” per the script, but they couldn’t because of Covid protocols. It does say Holly loves her doll, though.
Their goodbye was also much different in the script. June simply buckles Holly up in the car, tells Nick she can’t thank him enough, and “tries to keep it together.” Nick tells her “keep yourself safe, and be happy.” They share a final look before she gets in the car and leaves.
On the drive home, June is just described as “[getting] emotional, but keeps moving on.”
Nick is described as “stoic, but drained by the experience” before he puts his wedding ring on.
When June returns home, Luke is “relieved” that she returned to him. June collects herself and “she has so many more steps to take, but she’s trying her best to move forward.”
4x10 Click here to read the full script that is available to the public. source _________________ “Woman? Is that meant to insult me? I would return the slap, if I took you for a man.” ~ Daenerys Targaryen You're a lot smarter than you look. Of course, you look like a retard ~ Cordelia Chase | |
| | | a.a.k Cangel 'till the end
Messages : 31605 Date d'inscription : 29/06/2009 Age : 36 Localisation : On the other side
| Sujet: Re: Les personnages Dim 6 Aoû - 22:56 | |
| - Citation :
season 5 script summaries
i got the librarian’s email about season 5 scripts, and even though driving to and parking at WGAW has become a literal nightmare, i said fuck it and flew (crawled in traffic) down there the very next day. i wanted to see what the mood was like during the strike, anyway.
the staff had the library running business as usual, but the energy was high and there were pro-union shirts everywhere. there were a couple of guys on the first floor making literal piles of picket signs. i chatted with them for a minute and they said everyone was mostly out on the streets, picketing at every major studio in the city. rock on WGA
i was on a time limit to beat rush hour, so when i read the season 5 scripts it was only Nick scenes. i searched for all instances of his name and wrote down everything i could. i may go back to read the rest of the season, but i can’t make any promises on when that will be.
before i begin (same as last time):
• everything described here is from the official scripts that are archived at the Writers Guild in Los Angeles. • the scripts i read are final drafts. there is no “writing in the margins.” everything described is from dialogue and script direction that was used on set. (click for an example) • the library has a strict no copies/photos rule in place which is why i summarize what i read. • anything in italics is a direct quote for the sake of clarity. • feel free to ask questions and i’ll answer to the best of my ability. my private notes are pretty detailed, but if i need to do more research i may save the answer for a future library visit. • please do not share this post without my permission. thank you in advance for respecting my wishes.
5x01 - Morning Nick and Rose’s morning scene in this episode is more or less the same as this early script draft. The only difference is after Nick tells Rose her coffee is good, there’s an additional line that says: “It’s a lie, and they both know it. Rose appreciates the polite kindness.”
5x02 - Ballet There was a short scene of Nick and Joseph Lawrence having a private chat at the airport before meeting with Serena Joy. It was cut from the episode, but you can see it in the trailer.
In this scene, Lawrence confides in Nick that he’s nervous about the meeting with Serena because - in his words - “You had to let your girlfriend go after Fred.”
Nick assures Lawrence that they’re going to spin it as a savvy political move by blaming the Americans for killing Fred. Lawrence still chastises him for not doing his job. Then the conversation pivots (a little clunkily) to this line from the trailer:
- Citation :
- NICK: Serena doesn’t know what happened.
LAWRENCE: Doesn’t matter what she knows. It matters what she believes.
When they meet Serena on the tarmac, she instantly has suspicions that they were responsible for Fred’s death. The conversation is tense until they all see Fred’s body getting rolled off the plane, then Serena needles Nick’s guilt and pokes at it with her “Fred saw promise in you” speech.
As they are leaving the tarmac, there’s a line that says “Nick acknowledges Mark with a nod” and Lawrence notices it. In the episode you can see Nick and Mark exchange looks in the background as they leave, but otherwise Lawrence doesn’t notice.
At the Putnam’s party later in the episode, you may have noticed that after the Handmaids arrive, Esther and Nick share a notable look. The script describes this as a fraught moment in which Nick is filled with remorse and wishing he could do more. It also says Esther remembers Nick from when he and the Eyes arrested her, and she’s visibly pissed about it. As they walk away from each other, “Nick can’t help but be reminded of June.”
While Serena Joy is manipulating the Commanders into broadcasting Fred’s funeral, Nick steps in because he’s moved by her bravery and “attempting to atone for his hand in killing Fred.”
In the secret meeting between Nick and Mark there were a few cut lines of dialogue. Most notable is after Nick tells him he just tries to stay out of trouble, Mark replies, “Catches up to everyone, at some point.“
- Citation :
- Opaque, Nick thinks about that. How long does he think he can keep going?
Ok, so the end of the episode when the funeral is on TV in Canada, I’m happy to report that Nick IS mentioned in June’s inner dialogue. The scene describes her recognizing who is onscreen with Serena. First she sees Lawrence, and then... “And finally, most painfully -- NICK.” (Yes, in all caps like that, lol.)
5x03 - Border
Cute June inner-dialogue when Lily asks her if Nick’s a big Jezebels guy: “June doesn’t know how to explain what type of “guy” Nick is.”
The awkward Lawrence residence dinner scene. Commander Mackenzie genuinely loves Rose (”old friend of the family”) and is instantly distrustful of Nick. Serena doesn’t buy Nick and Rose’s relationship as genuine either, and tries to subtly acknowledge Rose’s close relationship with June’s daughter’s parents by telling him how lucky he is. Nick is tense, but then his banter with Rose relaxes him, making Serena surprised to observe real affection in their relationship.
During the dinner itself, Mackenzie is just making everyone extremely uncomfortable by bringing up June. Nothing too interesting in the script here, it’s mostly just dialogue.
There is a cut line after dinner when Nick and Rose are leaving, and she says to him, “Well I wouldn’t say that’s the most relaxing dinner party I’ve ever been to.” (He responds “Yeah. No.”) Then he spots Mark all alone. Script says Rose understands what he’s about to do. “Nick squeezes her hand, then heads over to Mark.”
The script emphasizes here that Nick is unsure talking to Mark is a good idea, but he really wants to be the one to tell June about Rose before Serena does. Mackenzie scares the shit out of him in this scene, and the “fuck” Nick mutters at the end was originally not spoken out loud (”OFF NICK, fuck.”) but I’m so glad it was.
Alright, phone call scene. One of our few big Osblaine moments!
- Citation :
- NICK: June. Hi.
June suddenly feels like everything is going to be okay.
This scene is mostly dialogue. The final product is all the acting that goes into it. It does say Nick is stressed to relay upsetting information about Hannah and Rose. When June hears about Rose, she knew this was coming eventually, but it’s still a blow. It also describes how painful and hard this is for both of them. But at the end of the call, right after June tells Nick to be happy, is my favorite line in the whole script:
- Citation :
- It’s an impossible ask, maybe, for these two to be truly happy without each other.
After the phone call, there is a cut scene between Nick and Rose where they simply look at each other.
- Citation :
- Rose knows exactly who he was on the phone with, and what he said to her.
She looks worried for him, knowing it wasn’t easy.
He nods to her -- it’s done.
5x06 - Together
According to the script, Lawrence only invited Warren Putnam over to his house to get Nick on board with killing him. Warren repulses Nick so he’s down.
The next scene they’re in is when they execute Warren. (Such a good scene.) After Nick shoots him in the head, the script describes the camera hanging onto Nick and “his soldier’s stoicism.”
Then it cuts straight to Rose in the Blaine home. “She’s disappointed in him and he knows it.”
Now this scene threw me off. It’s written much differently than how Max acted it. Nick is actually a lot more warm toward Rose in the script, much like how all their previous scenes were. Several lines of Nick’s dialogue were changed (”Can I help?” became “You gonna tell me what’s going on?” onscreen) and his body language comes across way more cold and defensive than what’s described on paper.
As for Rose, she isn’t soothed by Nick’s assurances here. And that’s it for this episode.
5x08 - Motherland
New Bethlehem opens with another cut private moment between Lawrence and Nick.
Nick is brooding by the water, “still grappling with the moral and emotional consequences of shooting Warren in the head.” Lawrence finds him and tries to prod, but Nick gives him nothing.
- Citation :
- LAWRENCE: You look a little more moody and broody than usual. Really, you sleeping okay?
NICK: I’m fine.
Lawrence moves on because they have work to do. He reminds Nick he’s counting on him.
Lawrence gives his New Bethlehem speech to the other Commanders. When one of them pushes back, “that’s the cue for Nick, the muscle. Enough carrots, time for sticks.”
After Nick bullies the Commanders and Lawrence consolidates his power, the script describes these two as a “dynamic duo” lol
Okay, brace yourselves, there’s a cut Osblaine scene up next. I had no idea this existed, I don’t think there are any shots of it in the trailer.
It takes place after June visits Serena in the detention center and realizes she can’t help Hannah unless she’s there. If you watch that part you will see her pull out Lawrence’s burner phone as she leaves. But instead of going to Lawrence’s office like she does in the filmed version, in the script she calls Lawrence and just says, “I want to talk to Nick.”
It cuts to the next night at the border wall between Gilead and Canada. June is waiting on the Canada side as flying drone searchlights swoop across the electrified fence. (All described in dramatic detail.) She sees Nick appear on the other side. They look at each other, waiting, and once the searchlights clear they move to meet each other at the fence.
- Citation :
- JUNE: I need to know if this is for real. I need to know that Hannah and my family will be safe.
NICK: I know. You will be. I promise. JUNE: How can you promise that? NICK: Things are changing, people are scared of Lawrence. I’m in a position now where i can make sure you’ll be safe. JUNE: I want to believe you. NICK: June. You can finally be with Hannah, watch over her. Isn’t that what you always wanted?
She nods.
NICK (CONT’D): Then please. Come back.
“To me,” he means. June’s heart is torn.
At this point the searchlights return and they have to separate. This scene is written like a soap opera. “They can’t help but reach out to each other, almost brushing fingertips before they move apart and run back, escaping the lights.”
Photo of this scene from Max’s IG:
Later in the episode, Lawrence is back in New Bethlehem with Nick. Nick asks which way June is leaning and Lawrence says it’s toward yes. The script says here that Nick understands that Lawrence is trying to manipulate him, but he can’t help but be cautiously optimistic at the idea of having June and Nichole in New Bethlehem with him.
By the end of the conversation, Nick is “considering.”
5x09 - Allegiance
We’ll skip to 27 minutes into the episode, when June sits with Mark after the failed mission. Mark catches June off guard by bringing up Nick. She’s taken aback by the revelation that he turned down Mark’s offer, but Mark says she can still persuade him. The script says “June imagines the prospect of Nick in Toronto” which I think you can see pretty clearly on Lizzie’s face lol.
Then we cut to the big Osblaine reunion.
Lots of dramatic buildup in the script leading up to their conversation. I don’t know how to describe it other than to show you:
- Citation :
- She looks toward the courtyard. And there he is --
NICK Waiting for her. Strained.
JUNE Takes a beat to soak him in. She gets out.
OUTSIDE June approaches Nick, their eyes locked.
Like, damn. They love building tension with these two.
Anyway, dialogue proceeds as it does in the show. Nick tells June that his wife’s pregnant and June has the wind knocked out of her. She’s described as “appalled by Nick’s commitment to Gilead, but understanding of his loyalty to Rose and their future child.”
And then--
- Citation :
- JUNE: I want what’s best for both our families.
They look at each other.
A giant chasm between them now. But they’ve shared so much. So much trauma. So much love. A daughter.
JUNE (CONT’D): Well. This is a fine mess, isn’t it?
This scene is once again described as painful for both of them. “She tries to keep it together. How can they part? How can they say goodbye?”
Before Nick says “I love you” he was supposed to wrap his arms around her, but in the final cut they keep their distance.
5x10 - Safe
Just wanna note that when Nick shows up on the bridge to meet Mark, it was originally written so American soldiers yank Nick out of his car, handcuff him, and drag him across the bridge to Mark. We were deprived.
Also the first thing out of Nick’s mouth here was supposed to be, “How is she?”
In the hospital, Mark is telling Nick what’s going on but, “Nick can’t even speak. Looking at June, with her black and blue eyes.”
Mark gets the hint and leaves Nick alone. An interesting thing to note is that the line “it’s probably better if she doesn’t know I was here” is NOT in the script. At all.
The rest of the scene is sweet and simple.
- Citation :
- Nick crosses, sits beside June.
A beat. Nick takes her hand.
Says nothing as he watches her sleep.
And that’s it.
Mark and Nick’s second scene on the bridge is just as short and to the point. In fact it’s almost entirely dialogue, so the emotions you see onscreen came from acting and directing. The only notable difference here is when Mark tells Nick he could’ve run away with June, he was scripted to give actual examples of where. “Maybe not to Canada, but there are -- places you could’ve gone. Idaho, the Westward Territories.” (Hopefully foreshadowing lol.)
At the party, it is scripted that Rose tries to greet Nick when he arrives and he doesn’t even acknowledge her. Like she doesn’t even exist.
There isn’t much description to accompany the punch. There is a line that says if Nick wasn’t pulled off of Lawrence than he’d be happy to keep on whaling on him. It also describes Lawrence as “rattled” and Rose as “humiliated.”
At the train station, during June’s goodbye to Mark, she asks him to tell Nick that she and Nichole are safe as a nod to their phone call in episode 3. The only descriptive line here is, “A beat, as Mark clocks the deep and selfless connection between Nick and June.”
The final scene I have notes for is Nick and Rose’s breakup in jail.
There are a couple parts of their scripted conversation that didn’t make it onscreen. Starting with right after Rose tells him a good man wouldn’t leave his wife every time his girlfriend calls, Nick’s response was supposed to be, “she was almost killed.” Then Rose laments that she thought she was lucky that someone like [Nick] would deign to be with someone like [her.] Nick says, “I was the lucky one” and she tells him to shut up.
Then there’s the “You will never let go of her, will you?” line from the show. Nick explains that he tried, but Rose retorts with, “Who knows what that woman will bring to our door. I have to protect our son.” Nick is described as scared now, and pleads with her not to leave.
Now I have no idea if that “our son” drop was supposed to be a legitimate reveal or just hopeful Gilead thinking. The script says nothing else about it and it was cut from the show. But it will be fun to speculate as we wait for the final season. source _________________ “Woman? Is that meant to insult me? I would return the slap, if I took you for a man.” ~ Daenerys Targaryen You're a lot smarter than you look. Of course, you look like a retard ~ Cordelia Chase | |
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